The Whimsical Bead on Craftumi.com.au

August 22nd, 2010

STOP PRESS!

The Whimsical Bead has just joined Craftumi.com.au.  The Craftumi website has just been launched tonight, Sunday 22nd August. Be one of the first to visit!!

What is Craftumi??

Craftumi.com.au  is for the buying and selling of supplies and equipment used in the creation of art and craft projects. It was launched tonight – Sunday 22nd August.  You can find new supplies and used equipment from crafters as well as commercial wholesalers.   I am supporting it as it is entirely Australian owned and run.  Craftumi is owned and operated by the same people as madeit.com.au.

In our Craftumi Store  you will find some fantastic quality beads and findings at low prices!! These beads are end of line or excess stock so we’re clearing them out at great prices.  You will also find BULK listings of some items found in our online store…..some great savings to be had. Make sure you bookmark us, as products will be added to this page regularly.  Please Note: These listings are only available online – these prices are NOT available in the studio.

I’ve noticed there are some lovely beads and findings popping up all over this site – I’m tempted to do some shopping myself :-)   Get yourself over there quickly……lots of great bargains to be had. 

    

Japanese 12 in 2 Chainmaille Workshop

August 22nd, 2010

Yesterday morning we held a chainmaille workshop at the studio. Students were to create a bracelet with Japanese 12 in 2 weave. This is one of my favourite chainmaille weaves as it has quite a bit of weight to it (with approx. 400 rings) and looks very classy when finished with a beautiful clasp.

The workshop was taught by the talented Karen Donald who is also a polymer clay artist and a seedbeader – yes she does it all! Our kits were supplied by Debbie at Aussie Maille and everyone commented on how beautiful the rings were to work with and how well they were cut – thank you Deb!!

Just about everyone managed to complete their bracelet in the set time period. It was great to see the look of achievement on their faces when they added those last rings to a project they thought would never end! 

Working away......

Still working......so many jumprings!!

Karen demonstrating the final steps

Japanese 12 in 2 Bracelet

Japanese 12 in 2 Bracelet

 We will be holding more chainmaille workshops this year. Keep an eye on our Workshop page.

Gecko in the Garden

August 22nd, 2010

As I wrote about previously, I particpated in the COPPRClay workshop which was run here at the studio last month. Because I don’t have a kiln…..(yet!)…all our pieces, including mine, were taken by Lara to be fired in her kiln.  I came home the other day to a package which contained our beautiful copper treasures. They didn’t look like much straight out of the kiln – quite dirty in fact – but once I’d finished brushing, sanding, burnishing and polishing, my clasp looked beautiful. Because I was so pleased with it, I thought I’d share it with you!

My COPPRClay Toggle Clasp

Can you see the little gecko?

If you are interested in attending a COPPRClay workshop with us in the future, taught by the very talented Lara LeReveur, why not contact us and express your interest.

The Butterflies have Landed

August 7th, 2010

This week I have been creating a few canes….including another butterfly. I thought I would share some photos of the process with you. I took these at various stages throughout the cane making process.

Butterfly canes are something I haven’t had much experience in creating. I’ve only ever made one or two.  When I decided to create this new butterfly cane, I looked back through my collection of butterfly photos, pictures of canes etc. The cane I created wasn’t a copy of any of these things but rather inspired by all of these elements. I think this is the best way to create pieces. Rather than follow a tutorial right down to the last detail or copy a photo, it is much more satisfying to be inspired by these things and then create your own individual pieces.

As you can tell by my workspace, I am a ‘messy’ clayer. I have bits and pieces everywhere!! This is a photo of all the elements of the cane being created just before I started putting it all together.

My messy workspace! All the elements being constructed ready to put together.

The most important thing I’ve learnt about constructing complex canes is to take your time. Make sure everything lines up perfectly when putting all the elements together and that the cane is well packed. By doing this, you will ensure you have a beautiful picture with minimal distortion.

The butterfly wing and the cane - packed and ready for reduction.

 

Side view of the cane to be reduced.

I let this cane rest for about 6 hours before reducing it but ideally I should have left it overnight. Anyone that knows me knows that I am just not that patient LOL!! Learn from my mistakes though.  In my finished cane, if you look closely you can see that the wings have disorted slightly. This could have been avoided with a little more patience!! Reduce slowly and with even pressure and you will end up with minimal disortion.

The partially reduced cane

Cane slices at different stages of reduction.

Once I had reduced my cane I let it rest for a few days….yes I was patient :-) . I then combined it with other canes I had previously made – leaves, flowers and another butterfly – to create some beads and rings too. These will be available in my MADEIT store within the next few days.

Patera ring blanks with polymer clay inserts. These blanks are available in store.

Some Big Holed Beads......available in my Made it Store.

More BHB's

All About Polymer Clay – Tutorial

August 3rd, 2010

Many people have asked me for a basic guide to working with polymer clay and more importantly, how to get started with polymer clay. I wrote this tutorial in 2009 and give it to all my beginner students. It is also available on my website but I thought I would post it here for everyone to read also. If you have any questions please do not hesitate to contact me.

ALL ABOUT POLYMER CLAY!

What is Polymer Clay??

Polymer clay (PC) is a versatile, exciting medium. It is basically a manmade, plastic material and consists of PVC particles and pigments suspended in a plasticizer.  This gives the clay is maleable consistency. Baking the clay evaporates the plasticizer and causes the particles to fuse together into a stable material (clay hardens). Polymer clay is fantastic as it doesn’t air dry like other clays (it must be baked) so it allow for much more flexibility.  You can achieve things so many things with polymer clay that are not possible with other mediums.   Be warned polymer clay is very addictive!!

What Clay to Choose??

There are many different brands of PC on the market and each has slightly different properties. Experiment to find one that suits your needs. Remember, no matter what brand you use, always wash your hands after using clay and don’t eat or drink whilst using the clay.

Studio by Sculpey – Studio by Sculpey is a relatively new oven bake clay.  It is is easy to condition by hand and very durable after baking. Softer than Premo and Kato but still good for cane work. There is a fantastic range of colours available in this range;

Premo Sculpey – Premo, although firmer than Fimo Soft, is still quite easy to condition. It is very durable and is a great ‘all-round’ clay. It is great for caning, sculpting and lots more. Fingerprints will not show quite as much;

Kato – Developed in conjunction (and named after) clay artist Donna Kato. Kato is harder to condition than the other clays but is extremely durable and colours stay the same after baking (any change is minimal).  Kato does not get sticky when being handled;

Fimo Soft – Fimo Soft is easy to condition than a lot of clays. It is very durable when baked.  Because it is soft, it is not recommended for complex caning as lines are not as crisp. Fingerprints will also show up more. Fantastic range of colours available;

Fimo Classic – Firm clay that is good for caning. Harder to condition than Fimo Soft and Premo. The formula of this clay has recently been changed and clayers have apparently not liked the change to the clay, so therefore, there are not a lot of retailers currently stocking Fimo Classic.

Sculpey III – Sculpey III is the softest of all the clays and tends to be quite brittle once baked.  It is not a durable clay. Many people regard this clay as a ‘children’s clay’.

There are other brands of clay on the market at the moment such as Pardo Clay, Pluffy and Living Doll by Sculpey,  but the ones above are the most popular ones used. This is by no means an extensive list and the descriptions are based on my experiences or that of friends/other artists. Use it as a guideline only.

What Tools to Get?                   

There are many different tools you can buy to use with your PC, but the basic equipment needed for starting out is relatively simple and inexpensive. You will need to start with;

** a smooth work surface – is essential. I use glass boards as they are smooth, heavy weighted and easy to clean;

** cutting tools – some sort of blade to cut your clay;

** a pasta machine is a great tool to have but you can use a roller if you don’t want to spend the money to start with. Keep in mind though it will take a lot longer to achieve certain effects without one.

** Needle tool for piercing your beads.

** Oven for baking beads.

 Other tools you may need (or want!) later on include different blades, sculpting tools, texture sheets, cutters, etc. The list goes on and on!!  You may be able to find things around the house to use for tools – PVC piping for a roller, knitting needles, toothpicks, anything that can make textures on clay, egg rings etc. Your kitchen can be a great place for finding polymer clay tools but remember – whatever you use with clay cannot be used for food again.

 Conditioning Polymer Clay

‘Conditioning’ polymer clay is a vital part of working with clay.  ‘Conditioning’ essentially means making the clay softer, pliable and easy to work with, by working the clay until the plasticisers are even distributed.  We need to condition clay in order to make it workable and to also increase the strength and durability of the finished clay piece.  The amount of conditioning required may vary between different brands of clay ie. Fimo Soft is generally quite pliable straight out of the package, whereas Kato Polymer Clay will be harder.  This variation in pliability can even vary between different packages of the same brand of clay. Even if your clay is quite soft, in my opinion you should still condition it and then let it rest a little before using it.

How to condition your polymer clay:

There is no set way you ‘must’ condition your clay – you can use your hands and a roller or a pasta machine.

Hand conditioning:

The warmth from your hands will start to soften the clay up and make it pliable.  Roll the clay between your palms to form a log/snake and then roll back into a ball.  The friction of this technique combined with the warmth of your hands will speed up the conditioning process.  Conditioning large amounts of clay can be hard on the hands.  You can break/cut your clay into smaller sections as these will be easier to work with rather than large blocks.  You can also use an acrylic roller to continue the conditioning process. 

Pasta Machine Conditioning:  

Cut your 56g pack of clay into four slices (with each slice being around twice the thickness of  the thickest setting on the pasta machine. Feed each piece through the rollers, then place two thicknesses together and roll through till you have one sheet. Fold this sheet in half and fold first roll through. Repeat this about 10 times.

The important thing to remember is never force clay through the pasta machine. It needs to be flat enough to go through easily – you do not want to put too much pressure on the rollers or your machine will break.

Continue conditioning using whichever method you choose, until clay can be readily worked without crumbling.

It is hard to say how long this process will take as it will vary between different brands of clay.  As you gain more experience you will be able to judge how much conditioning is ‘enough’. Usually your clay will need at least 2-3 minutes of conditioning.

If you suffer from arthritis (or similar) you may need to purchase a softer brand of clay that will condition more easily.  You can also put your block of clay on a hot water bottle or heat pack or sit on it (yes, sit on it!) to start the conditioning process.   DO NOT put your clay in the microwave!

What if my clay won’t soften up?

Sometimes you may come across a pack of polymer clay that will not soften up no matter what you do with it. It stays crumbly and is not workable at all.  Unfortunately if this happens there is nothing you can do with it. It has been exposed to excessive heat or ultraviolet light and will not soften up like fresh clay should.  This is why you should always store your clay according to manufacturer’s directions. Don’t throw it away though. You may be able to use it for other purposes ie. inclusions. 

Baking Polymer Clay

To bake your polymer clay pieces you will need an oven and an oven thermometer.  If you are not doing a lot of baking, you may choose to use your home oven. However, if you do a lot of polymer clay baking, I strongly recommend using a small oven, such as a toaster oven, that will be dedicated to clay work. This because a build up of plasticiser can occur in the oven and whilst polymer clay is said to be non-toxic, it is best to avoid this if possible.  An oven thermometer is also essential because the baking temperature needs to be accurate and ovens quite often, are not accurate.  The temperature you bake your beads at will vary according to the clay you are using. Always follow the manufacturers directions. If you bake the clay at a higher temperature the clay will burn and discolour and you will be left with a horrid smell!!  Generally, the amount of time you bake your pieces for will be 30 minutes per ¼” thickness.  You need to make sure that you bake your pieces for  the correct amount of time to maximum the clay’s strength and durability. Items can be re-baked without any harm being caused to the piece. Some pieces may need to be baked in stages if they are more complex.  When baking your pieces, you can place them on an oven tray or in a roasting dish. You may also wish to suspend your beads on skewers whilst baking to avoid any flat/shiny spots – you can also bake your beads on a layer of polyester quilt batting to avoid this.  If you are baking clay pieces in your home oven, it can be a good idea to make a ‘tent’ from aluminium foil to cover the tray/roasting dish to reduce the residue that can build up on the walls.   

Finishing Your Work

Once your polymer clay pieces have been baked it is now up to you to decide how you will finish them off.  Depending on the look you are trying to achieve will depend on what technique you will use.

Matte:  If you want a matte look, leave your work as it is – straight out of the oven or you can just give it a quick polish on a rough cloth.

Subtle Polish:  For a subtle polished look, you can buff your piece with ‘Armorall’ or a ‘Renaissance Wax’ and a soft cloth.

Varnish:  There are a number of varnishes on the market that are made specifically for polymer clays, providing either a gloss or satin finish. Experiment until you find one you like. You may also like to give your work a quick sand before applying varnish to make it nice and smooth.

Sanding & Buffing:  These two techniques have an amazing effect on PC when done correctly. Sanding and polishing PC produces a smooth, glass-like shine. Sanding by hand will always produce the best results but if desired you can use a rotary tumbler for some pieces. It is best to wet-sand PC as this prevents the sandpaper becoming clogged with dust and also prevents you breathing in the clay dust.  I use 3M brand wet/dry sandpaper which I find works perfectly. Start at 400 grit and move through to 600, 800 and finally 1200 grit sandpaper.  You can re-use your sandpaper a few times – just wash it and allow it to dry.

PC can be buffed to a high natural gloss after sanding. The faster the buffing material is used, the higher the shine will be on the clay.  You can use an old towel or a piece of old  denim and rub the clay back and forth to achieve a nice shine but using a rotary tool, such as a dremel with a felt/denim rotary wheel will bring the sanded clay to a high gloss.   However, if you want a shiny finish but you do not own a dremel you can sand your beads additional grits (1500 & 2000) before buffing on an old towel or piece of denim. You will not get the same look that you would with the dremel but the finish will certainly be shinier/glassier.

Tip: Keep in mind that the smoother your piece is when it goes into the oven for baking the easier if will be to sand and buff.  It is worth taking the extra time to smooth your piece before it is baked.   

Remember, the possibilities when working with clay are endless and you are only limited by your imagination.  The information you have just read is really only just the very basic you need to get started. The more you ‘play’ with your clay the more you will learn.

© The Whimsical Bead 2009  This tutorial is intended for personal use by the reader only.  No part may be reproduced, distributed or re-sold without written permission from the author.

Exploring COPPRclay

August 3rd, 2010

Last Saturday, 1st August, I hosted a COPPRclay workshop taught by Lara LeReveur. COPPRclay was released in 2009 and is made up of pure copper, water and non-toxic binding materials. The binding materials vaporise during the kiln-firing process leaving you with a solid copper piece with a density over 95% that of cast copper.  COPPRclay has a pleasant consistency, is forgiving to hand at the leather hard stage, fires consistently well and has a large shrinkage rate (approx. 30%) which makes for good details of texture.

After an introduction and a demo we were straight into creating our first piece. This had to be made fairly quickly to ensure that we had enough time to fire the piece so we could practice our finishing skills later in the day!

Lara showing us how the COPPRclay worked

More of a demo and discussion about the clay

 This was my first attempt at creating with COPPRclay and I must say, I was pleasantly surprised! I have never been a big fan of copper findings in my bead work but this workshop certainly changed my mind. The COPPRclay was much easier to work with (in my opinion) than PMC and being that it is a much cheaper material than silver clay, I was able to create larger pieces which suited me well! Those who know me will know I find it extremely hard to work ’small’ :-)

Everyone busily working to finish their first piece for firing.

Another ‘first’ for me was watching how the whole firing process works. From preparing the kiln, setting the temperature to pulling the piece out and quenching them. I found it quite amazing…….and it’s prompted me to do some research on different types of kilns – this may be my next major purchase LOL!

Steel pan with carbon before being put into the kiln

Our pieces after firing and quenching in water. The colours were amazing.

We then had to finish our pieces. Some decided against hand finishing and put theirs in the tumbler but I decided to hand finish mine. This is how it turned out after brushing with a wire brush, sanding, burnishing and polishing. I was quite pleased with it – especially for a first go! Our other pieces are still with Lara being fired. I will post mine once it comes back. I made a little toggle clasp – hopefully it survived the firing.

My finished COPPRclay piece

My finished COPPRClay piece

 For those of you that want to give COPPRClay a try, I would thoroughly recommend it. We may run more classes in this medium in the future so keep your eyes on the website.

Thanks to Lara for a fantastic day. For those of you that would like to take workshops/classes with Lara, you can find out more about her and what she does at her website here . You can also view some of her beautiful work here .

Currently we do not stock COPPRclay however we can order it in for you as a special order. Alternatively, why not visit Jennifer Tattam at Metal Clay Australasia. Jen provides quality products and a wonderful mail/web order service – make sure you tell her I sent you! She is also an expert in all things metal clay!

Fimo Soft Polymer Clay on Sale!

July 28th, 2010

Just a quick post to let you all know that all Fimo Soft is now on sale to make way for new stock.  20% off the original price. Some colours are very limited in stock and have been selling fast, so get in quickly before they all sell out!

Click here to be taken directly to the store.

‘Studio by Sculpey’ Polymer Clay has Arrived!

July 21st, 2010

Today I took possession of a rather large delivery – the entire range of Studio by Sculpey polymer clay! 

Studio by Sculpey Shipment.........Where to put it!?!

Look at all the clay....I'm in heaven!!

 

I tested this clay a few months ago and was unsure whether I would stock it or not, but after creating a few canes and bead sets from it, I was hooked. Not so much hooked on the actual product just yet, but interested to find out more about it and whether it could handle the ‘pressures’ of complex caning. 

Studio by Sculpey clay comes in 79 gram packs (so a little larger than the regular Fimo and Premo blocks) and is divided into 2 logs, each of which is again divided into 8 pieces. This makes measuring the clay so much easier, especially when it comes to colour mixing. 

Studio by Sculpey Packs

 

The clay is velvety to the touch and is easy to condition. I have made several basic canes with it, including an extruder cane and have found it still firm enough to work with even after the manipulation of conditioning, going through an extruder and assembling the cane. It doesn’t seem to be as firm as Premo clay but I will test further to determine how much manipulation it can take. I have not made any complex canes with it as yet. It bakes well (130 degrees celcius) with no real odour. 

The only flaw I can find so far (apart from it possibly being too soft for complex caning) is that it doesn’t seem to polish up as well as other clays during the finishing process ie. sanding and buffing. I still need to do some more experimenting but it seems that the clay gets little patchy in the sanding process. This could have been because I was mainly sanding black clay – more experimentation is definitely needed! The baked clay comes up beautifully when varnished, buffed with wax, diamond glazed, coated with liquid clay etc. 

Another plus is the fantastic range of colours that are available – a total of 34. 

Here are some pieces I’ve made using the Studio by Sculpey Clay. 

'Green Shields'

 

'Wild Crocodile Bracelet'

 

'Bead It Ring'

 

If you have any opinions on this clay, I’d love to hear them. If you haven’t tried Studio by Sculpey clay yet, why not pick up a few packs today and give it a go for yourself.

Saturday’s Clay Play

July 18th, 2010

One of the things I most look forward to is my Saturday Clay Play sessions.  These are held once a fortnight in my Healesville studio and I enjoy them just as much as the ladies who attend! This past Saturday we had a few regulars away - the winter weather has hit and everyone is getting sick – so I put the kettle on and sat down to clay with Emily & Bron.

Although we were chatting away all afternoon, I still managed to get a few things made and finished them off this morning.

These rings are for sale and will be going in my brand new Made It store .  I will also be displaying a few at  Redgum Gallery in Lilydale, Victoria where my work is also for sale.  If you get a chance, this is a lovely gallery/cafe to visit. There are 5 large  viewing rooms where various artwork is for sale and a lovely cafe catering for breakfast, lunch and morning/afternoon teas. There is also a beautiful fire place in the centre of the cafe – the perfect place to visit this winter.

My new polymer clay rings. Available for purchase through my new Made It store, Redgum Gallery or just send me an email

 As well as the rings I also experimented with a new texture sheet that came in a few weeks ago – Studio by Sculpey’s Nature Walk. These textures remind me of a few things…..slate, giraffe, crocodile skin, cows. They are fantastic for achieving a wide variety of looks.  Here is a set of beads I’ve made using the smaller texture sheet in the pack, shield cutters  and polymer clay.

I called this one 'Wild Crocodile'!

'Wild Crocodile'

'Wild Crocodile'

Cabochon Clearance

July 4th, 2010

I’ve been having a bit of a clear out today and decided these cabochons all need new homes. I’ve put them into 3 groups and they have now been listed in store at clearance prices. Perhaps you can find them a new home??

Clearance Cabochons ('Browns & Reds' Group)

Clearance Cabochons (Mixed Group)

Clearance Cabochons (Swirls Group)